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The 2013 Topps Series 2 Mets: Where Are They Now?

13 faces you may have forgotten

2014 Topps Series 2 launches today with cards featuring many of your favorite Mets, from David Wright to, um, Vic Black? Gonzalez Germen gets to celebrate doubly today; not only is this his first day back after being activated from the DL, but it is also the day his first Rookie Card is officially released. That is in stark contrast to last year’s Series 2 rookie Collin McHugh, who was beginning life in Colorado on the day he first graced a Rookie Card solo. As for the rest of last year’s crop of Mets in Series 2, their fates varied but most found themselves somewhere other than with the Mets within the year. At the time, I predicted that the team set image would be part of a “Where are they now?” article. One year later, I have made it a reality.


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Product Spotlight: 2014 Topps Gypsy Queen

Some good, some bad, and some ugly photographs

Gypsy Queen just isn’t my kind of product.  I’ve never been a fan of tobacco style products, though I can understand the appeal considering the popularity of that era among hardcore collectors.  At least you can get proper toploaders and binder pages for the tobacco size minis, unlike most of the other minis that are plaguing the industry.  And yet, even though I have no interest in building a set of these, I always find myself with at least the Mets autographs and relics plus a base team set.  There’s just something about the distinct simplicity that makes Gypsy Queen stand out.

Card Design

The formula for a Queen Design is pretty simple.  Take some earth tones, add some fancy frame squiggles, and slap a big Gypsy Queen logo on it.  This year’s version is similar to the 2012 design, which is a bit of an improvement over last year’s overly busy look.  I’m not a fan of the heavy use of filters to give the photographs a vintage painting look.  It’s not as bad as whatever went wrong with this year’s Turkey Red, but it looks less “vintage artwork” than “Hey look at this cool Photoshop filter I found!” to me.

Mets Selection

Overall, 8 cards is a bit below average for a 350-card set, but the split between base and short prints is even more off.  Only five Mets made the 300-card base set: Rookies Wilmer Flores and Travis d’Arnaud, Daniel Murphy, and newcomers Curtis Granderson and Bartolo Colon.  Three Mets are among the 50 short prints: Matt Harvey, Zack Wheeler, and David Wright.  While it is strange to see all of the stars missing from the base set and loaded into the short prints, it’s another absence that is most notable – retired players.  Gypsy Queen is loaded with retired stars, more than 50 in total, but none of them are Mets.  This is the first year without Tom Seaver in the base set, though you could just make your own by cutting out a 2014 Gypsy Queen frame and slapping the Seaver picture they use every year into it.  If you were hoping for a full set of identical-photo Seaver Gypsy Queen cards, that’s the only way you’ll get it.

Parallels

100 of the 300 full-sized base cards have blue (numbered to 499) and white (retail exclusive) framed parallels.  Flores, d’Arnaud, and Granderson made the list here.  These are always some of the nicest cards in Gypsy Queen and they’re common enough to be easy to obtain.  On the mini side, all 350 mini cards have a full range of parallels including black (numbered to 199), red (numbered to 99), and sepia (numbered to 50).  Despite the low numbering, many of these carry little or no premium.

Inserts

Two inserts is actually pretty good for Gypsy Queen.  Seaver shows up here, though I’m not liking the sepia treatment of the overly filtered photos.  These would probably look more vintage without the filtering.  At least it’s not the usual Gypsy Queen Seaver photo.

Variants

Matt Harvey and David Wright have all of the photo variants this time around.  The full-sized cards get reverse negative variants (with different photos from the base cards to begin with…) and the minis get the usual photo variants that end up being far more common than the regular versions.

Relics

2014 continues the decline of Mets base relics in Gypsy Queen.  After having four in 2012 and three in 2013, we’re left with just two this year, one full-size and one mini.  And neither features a photograph that comes close to matching the material.  Wheeler’s shows him in home pinstripes, but the material is from last year’s orange Los Mets jersey.  Gee’s material is from his home white jersey, but the photo shows him in, um, black?  Gee hasn’t worn a black jersey in a game since 2011, making the photo more than two years old.  Apparently getting material from last year is easier than getting photos from the last two years…  The Gee also has patch variants numbered to 10 and 5.  Matt Harvey is the lone Met in the jumbo patch relics (numbered to 50 or less), though most of these do not feature patches as the name implies.

Autographs

On the other hand, this year’s Gypsy Queen doubles the total number of Mets Gypsy Queen autographs that have been made.  The first three years of Gypsy Queen gave us autographs from Angel Pagan, Jon Niese, R.A. Dickey, Jeurys Familia, and Kirk Nieuwenhuis.  2014 Gypsy Queen features the first certified autograph card from Jeremy Hefner, RC autographs from Travis d’Arnaud and Wilmer Flores, and autographs from David Wright and Zack Wheeler.  Interestingly, the RC logo is on the d’Arnaud and Flores autographs after being absent on rookie autographs in previous years, proving that nobody has any clue what a Rookie Card is these days.  Parallels include red (numbered to 49), gold (numbered to 25), green (numbered to 10), and purple (numbered to 1).  Wright and Wheeler also have mini autographs (numbered to 10) and autographed relics (numbered to 25).

Verdict

Mixed bag.  On the one hand, the autograph checklist would be good for just about any product and there are a reasonable number of easily obtainable parallels and variants to chase.  On the other, the lack of retired players in the base checklist (even just another Seaver with the infinitely-recycled photo) and relics that are little more than filler (the orange Wheeler jersey has gotten a lot of use so far this year…) leave considerable room for improvement.  ‘Unbalanced’ might be the best word to use to describe this year’s Gypsy Queen from a Mets perspective.

The Topps Spring Fever Promotion Leaves Collectors Cold

An April Fools’ joke two months early

I’m not trying to turn this blog completely negative. Really, I’m not. But when these stories present themselves, they get little attention from the big names in collecting news. That leaves it up to the little guys to capture these moments for posterity and make sure that they become part of the historical record. In this case, Topps has set a precedent that could completely undermine the entire hobby. It almost certainly won’t go that far, but the lack of any notable backlash seems to have demonstrated that there is no obligation to deliver what is promised in a pack of cards.

Last year, Topps introduced the Spring Fever promotion with 2013 Topps Series 1. This was the first of many promotions designed to get people to spend more time at their local hobby shops. Spring Fever redemption cards were inserted into packs at a rate of one per hobby box (regular or jumbo). If you had a participating hobby shop near you, you could redeem the card for a special 5-card pack of Spring Fever cards, which contained an assortment of cards from the 50-card set plus 32 different autograph cards randomly inserted. For those without local hobby shops, they could sell the redemption cards for about $2 each, a nice little bonus out of each box (something usually referred to as “added value”).

The Spring Fever cards themselves were quite nice. Even though the photographs were mostly just the same photographs used in the base Topps set, the metallic foil and new background design made them really stand out in a sea of colored border parallels. The cards look even better scanned, just like the 2012 Topps Archives gold parallels. For a Mets collector, having David Wright and Jeurys Familia in the base set wasn’t all that bad. The set itself was a mix of rookies, stars, and retired greats, making it a fun set to put together. On top of that, the autographs, while on stickers, were a nice bonus for the price. I bought 10 extra redemption cards and pulled the Markakis auto shown above, which sold for almost as much as I paid for the redemption cards (I probably could have gotten more if I had sold the unopened packs though…). It was hard not to like this new promotion.

2013 Topps Series 1 delivered considerable value beyond the cards in the packs. In addition to the Spring Fever redemptions, Topps also continued its tradition of wrapper redemptions in 2013 Series 1. Wrappers from a box of cards would get you a 5-card Silver Slate pack, which contained a mix of blue sparkle parallels, framed silver parallels numbered to 10, and autographs. Luck was on my side in these, delivering three of the cards above in the four packs I sent in for (I had to buy the Familia). The Machado and Kipnis each sold for about $30, not bad for a few bonus packs.

And that brings us to 2014 Topps Series 1. Like last year, Spring Fever redemption cards were back at the same insertion rate. No announcements were made about wrapper redemptions, which Topps seemed to be phasing out anyway. Then something strange happened when people started opening packs – they couldn’t find the Spring Fever redemption cards. Box after box, case after case, thousands of packs were opened on launch day without a single Spring Fever redemption card being pulled. Usually, this would be a sign of something being a retail exclusive, but that wouldn’t make sense for a hobby store promotion. Something was wrong. Then Topps confirmed it: Spring Fever redemption cards weren’t in packs of 2014 Topps Series 1.

With no wrapper redemption planned, switching the Spring Fever to a wrapper redemption would at least ensure that the people who were shorted the redemption cards could still get the packs (or get some money for the wrappers). Topps however also confirmed that there would be no wrapper redemption for 2014 Topps Series 1. No redemption cards, no wrapper redemption, how was Topps going to make things right? As it turned out, all would be made right for a price.

Spring Fever promotional flyer sent to hobby shops in early March of 2014

Topps would later reduce the cost of a Spring Fever promo pack from 18 packs to 16 packs. What a bargain! For only the cost of 16 hobby packs, or about $32, collectors could get something that was supposed to be in a box they already spent $70-100 on two months ago. I suppose you also get the cards in the packs for that price, but the value of a two month old product just isn’t what it used to be. And of course there’s the little bit about how collectors already bought a ton of this stuff two months ago with the promise of Spring Fever packs. But was it really a promise? Let’s take a look at the wrapper.

Odds from the wrapper of a 2014 Topps Series 1 hobby jumbo pack

If you read the fine print, near the end of the fourth line you’ll see the odds of a Spring Fever Redemption card in a hobby jumbo pack at 1:10, or one per hobby jumbo box on average (odds for regular hobby packs are 1:36 with 36 packs per box). That’s not a guarantee that one will be in any particular pack or even a sealed box. It could be argued that it isn’t any sort of guarantee at all. But if that is the case, what about all of the other cards with listed odds? Can Topps get away with leaving all of those out too and charging more later for the chance to get them? Either Topps is obligated to meet the insertion rates printed on their product or they are free to ignore them, there’s no middle ground. Since nothing has happened to Topps for their failure to deliver Spring Fever redemption cards, we are left to assume that pack odds are not in any way binding and can freely be ignored by manufacturers. That is a disturbing concept.

Luckily, while it seems that Topps is under no obligation to deliver what their product promises, hobby shops are under no obligation to follow the specific rules regarding the distribution of promo packs (well, they may technically have an obligation, but Topps has no way to enforce it unless the shops do something stupid like listing promotional items on eBay). Many shops are doing the right thing and are giving the packs to customers who they know deserve them or are at least making them available for more than just purchases of the now outdated 2014 Topps Series 1.

This may be the last we see of this problem. Or it could only be the beginning. In any case, it should not be ignored and forgotten. Major League Baseball may have sold out to Topps, but that doesn’t mean that we have to stand by silently and watch Topps disrespect collectors and the hobby. Topps is not and will never be the hobby, no matter what their arrogance leads them to believe.

Product Spotlight: 2014 Donruss

A little too much like an old classic

When 2014 Donruss was announced, it looked like it could be the missing piece in the Panini lineup.  After all, while Panini has had some success in high end (2012 National Treasures), shiny stuff (2012/2013 Prizm), prospects (various Elite Extra Edition releases and 2013 Prizm Perennial Draft Picks), and specialty retro (2013 Pinnacle and Hometown Heroes), they have no real base product to speak of.  With an ever-rotating list of products (National Treasures was demoted to an insert set in 2013 America’s Pastime), there’s nothing to really define Panini as a brand.  If you were collecting in the ’80s, you probably associate the Panini name with stickers and not cardboard.  It was only fitting then that Panini should launch their first true base product under the Donruss name, a throwback to a simpler time when it was possible to produce licensed baseball card products in competition with Topps.

For me, the Donruss name brings back memories of the 1986 and 1989 designs, Diamond Kings, Rated Rookies, and puzzles that never quite fit together right.  There are a lot of classic elements in the history of Donruss but also plenty of bad decisions and disappointments.  Unfortunately, 2014 Donruss takes a few of the former and mixes in a lot of the latter, creating a product that is a little too faithful to the brand’s lineage.

Card Design

Panini dressed up their first attempt at a base Donruss product like a bride.  There’s something old (the pre-1986 Donruss logo), something new (quality cardstock and gloss coating), something borrowed (the baseballs in the strips of color on either side of the photo), and something blue (the blue cardback style used in 1988 and 1991 Series 1).  Overall, it’s not a bad look, a more refined take on the brand’s design that incorporates elements from across the first decade of Donruss.

At least, that’s how it looks until you consider the photographs.  The basic design itself is a bit boring, but that makes sense when you consider that the player photograph is what should draw your attention.  You can forgive a border that is devoid of any bright color if it contrasts well with a colorful photo.  And that’s where the lack of a license from MLB Properties kicks in.  Without the rights to use team names or logos, Panini removed all trace of team identity from the photos they used, right down to eliminating the color orange from nearly every Mets card.  The Rated Rookies cards of Travis d’Arnaud and Wilmer Flores use photos from the Las Vegas 51s and the Granderson is obviously a Yankees photo, but everything else looks like it started out as a proper Mets uniform.  The end result is a lot of blue and white, just like the border.  They would have been better off converting the photos to black and white.

Mets Selection

You can’t really fault Panini for their choices here.  Two rookies, two hot young pitchers, one captain, the biggest offseason acquisition, and a future Hall of Famer.  That’s a good core group right there.  And with only 200 cards in the set (30 of which are Diamond Kings with duplicate players), there’s no room for anything more.  Only 200 cards?  That’s the same size as Topps Archives (not counting SPs; Archives is actually a much larger set when you account for SPs), a product that also mixes current players with retired stars.  Shouldn’t this be more in line with base Topps or even Topps Heritage?  200 cards just isn’t enough for this type of product.  Two 330-card series would make more sense, especially if Series 2 could be released in late September with All-Star SPs taking the place of the Diamond Kings.  Panini did use the insert sets to expand the total number of players (Dillon Gee, Jon Niese, Johan Santana, Ike Davis, Andrew Brown, and supposedly Jeurys Familia all appear in the inserts).

Subsets

With only 200 cards to work with, there wasn’t much room for variety in the subsets.  Panini went with the classics here, starting the set with 30 Diamond Kings and 15 Rated Rookies, each subset inserted at a rate of one every 6 packs.  I’m not sure the different level of scarcity between the two subsets makes much sense (each Rated Rookie should fall just over 4 per case on average, compared to just over 2 per case for Diamond Kings), but I guess Panini wanted to pack in the rookies.  In terms of design though, these just fall flat.  The Rated Rookies have all of the same problems as the base cards while the Diamond Kings are just too bland, though the 1984 Diamond King design is faithfully recreated.  Instead of art cards, the Diamond Kings in 2014 Donruss have a pair of photoshopped photographs mimicking the typical Diamond King layout.  The large sections of solid color in the border plus photographs with all detail wiped away equals a design that is simply lacking.

Retro Inserts

The strongest category by far is the array of inserts found in 2014 Donruss.  We’ll start though with the ones that don’t factor into the Mets team set.  Team MVPs and Power Plus both borrow from the 1989 design and do a good job of remaining distinct despite the common inspiration.  Something about the Team MVPs just looks wrong to me though, probably how the MVP logo is at the bottom over the photo instead of at the top under the photo.  With hat/helmet logos cropped out, the old design just wouldn’t work.  One other criticism is that, like the Diamond Kings subset, the Team MVPs insert set doesn’t have a card from every team.  The set is the right size (30 cards), but some teams are featured multiple times with a mix of active and retired players.

The Mets do have representation in four of the retro-inspired insert sets and the results are impressive.  The best design by far in 2014 Donruss is the one used for the No-No’s [sic] inserts.  The combination of elements from the 1986, 1989, and 1991 Donruss designs is almost seamless and the logo, while new, looks like it could be from that period.  I’m actually a bit disappointed that this wasn’t the base design, I would have liked to have gotten a few more cards like this Santana (instead, only 10 cards were produced in this design).  You barely notice the horribly mangled photograph.

The formula was a bit simpler for The Rookies with the 1988 colors in a new design with a Diamond Kings nameplate and the Panini RC logo.  On top of that, Travis d’Arnaud’s photo is the only one with prominent orange (David Wright’s base card with a visible orange undershirt is the only other card showing a Met wearing orange).

And then we have The Elite Series and Elite Dominators, some nice metallic inserts based on the early ’90s inserts and numbered to match (a more reasonable 999 instead of the original 10,000).  It’s strange to see these falling 2 or 3 per box when the original versions were so hard to pull.  Print runs sure have changed…  Two different Elite insert sets is a bit much though, with the 50 total cards outnumbering the entire Elite print run from 1991-1994.  Another reason why a second series would have made sense.

Modern Inserts

Not all of the inserts in 2014 Donruss look like they came from earlier decades.  The Breakout Hitters/Pitchers and Hall Worthy inserts both feature a mix of matte and gloss textures on unique designs.  This style has previously appeared in Panini Cooperstown and connects the vintage Donruss elements with the current incarnation under Panini.

Parallels

And what modern baseball card product would be complete without serial numbered parallels?  2014 Donruss has four, though they only have two different designs.  The Press Proof parallels come in silver (numbered to 199) and gold (numbered to 99) varieties and feature the standard base card design with a “PRESS PROOF” stamp and a foil-stamped serial number.  The Stat Line parallels are printed on metallic foil and come in season (silver stamp) and career (gold stamp) varieties, though the numbering is based only on the stat shown (with a maximum print run of 400).  It would have been nice if Panini had limited the minimum print run as well; Stat Line print runs can be as low as three.  Some additional variety would also have been nice; a die-cut version or some different color foils would have really helped to set the different parallels apart.

Box Toppers

David Wright base Diamond King shown as reference for scale

I don’t know why more products don’t throw a box topper card in every box.  Back in the day, boxes used to have cards printed on the bottom as a small bonus for buying so much at one time.  Box bonuses eventually shifted to the inside of the box with improved quality and decreased frequency.  Today, box toppers tend to be extremely limited with box prices starting at $60 for most products.  Every box of 2014 Donruss includes one of 25 jumbo 5″ x 7″ Diamond King cards as a box topper, with autographed versions of 24 of them randomly inserted at an unspecified rate (while not serial numbered, these are most likely limited to 50 copies or fewer).  Some of the box topper Diamond Kings don’t appear in the base set and vice versa, which seems a bit odd.  Otherwise, this was a great touch and a welcome callback to the jumbo Diamond Kings from decades past.

Donruss Signatures

Donruss was one of the first products to feature autograph cards (Upper Deck beat them by just a few months) and the Donruss/Leaf Signature products in the late ’90s are still some of the best autograph products ever produced.  A strong autograph set was therefore a must for 2014 Donruss.  Sadly, the Donruss Signatures name is the only element that draws from the Donruss legacy.  The card design looks like a reject from 2013 Panini America’s Pastime and the checklist is mostly prospects and young players, the type who sign autograph stickers by the thousand (all of the big names are on low-numbered autograph inserts that fall one every two cases on average).  Four Mets are featured in the 50-card set, but Andrew Brown’s first certified autograph is the only one you are likely to find.  Zack Wheeler’s autograph appears to be a short print and no copies of the Jeurys Familia or Wilmer Flores autographs have surfaced so far.

Recollection Autographs

The original Recollection Collection autographs, which ran from 2002 to 2005 in various Donruss and Leaf products, set the standard for buyback autographs.  Featuring diverse checklists of hundreds of players who had appeared on a Donruss or Leaf card of some sort from 1981 to the early 2000s, these cards featured a foil logo stamp, embossed authenticity guarantee, and foil-stamped serial number on the back.  In recent years though, Leaf, now under separate ownership, has had the buyback autograph market to themselves.  2014 Donruss brings back the Recollection name with buyback autographs focused on rookie cards and featuring an embossed logo and handwritten serial number.  Ron Darling, Dwight Gooden, and Darryl Strawberry are the Mets featured here.  A total of just over 1,000 Recollection Autograph cards were produced, making them fall less than one per case on average.  It’s a shame Panini couldn’t have gotten a few hundred more so they could make this a guaranteed case hit.

Game Gear

Four Mets are also on the 50-card Game Gear checklist, but this time all four are fairly common.  As 14,000 Phillies pointed out, the Game Gear design borrows from the 1980 What If design from 2002 Donruss Originals.  The Game Gear name itself is a remnant from Pacific, which last produced baseball cards just before Donruss returned under Playoff in 2001.  The material provided an additional throwback; most of the jersey swatches in the Ike Davis, Dillon Gee, and Jon Niese cards are from their 1993 throwback jerseys.  Like the Game Gear inserts in 2001 Private Stock, cards with jersey swatches also have a patch parallel (numbered to 25 in this case).

Wrapper Redemption

It has nothing to do with the Mets, but Donruss announced a wrapper redemption good for a three-card pack of Rated Rookies that will be cards 201-203 in the set.  While the names have not been announced, the Yankees’ Masahiro Tanaka is believed to be among the three.  The wrappers just might be the most valuable thing inside boxes of 2014 Donruss.

Case Break

So far, 2014 Donruss looks like a mild success.  The designs are, for the most part, strong with a good mix of elements from across three decades of Donruss products.  The minuscule set and some truly awful photographs take it down a notch and the lack of a license from MLB Properties hurts its collectibility.  The biggest problem though is figuring out just what kind of product 2014 Donruss is trying to be.  It doesn’t have the checklist to be a base product, it’s not heavy on prospects, the cards aren’t all that premium, and the price isn’t comparable to a discount product.  The guarantee of two autographs and one relic (though two per box is common) per box brings it to a price point comparable to base Topps or a product like Heritage or Archives, but the quality and value of these “hits” is not on par with those Topps releases.  So just what does that make 2014 Donruss?

A disappointment, especially if you open it by the case.  Doing some math puts the print run of 2014 Donruss at around 1,400 cases, give or take.  Spread across those 1,400 cases are 765 premium autographs (plus autographed box toppers), 1018 Recollection autographs, and 1089 patch cards.  The Stat Line parallels add about another 6,000 cards numbered to less than 99.  That gives you a best case scenario of getting one good autograph, a patch card, and four parallels numbered to around 50 in a 16-box case with no other serial numbered autograph or memorabilia cards.  For a $1,000 case, that’s not a whole lot of value.  With perfect collation, the rest of the case should give you two full 200-card sets, 14 155-card base sets, 4 Power Plus insert sets, 2 The Rookies insert sets, 2 Hall Worthy insert sets, 1 No-No insert set, most of the Breakout Hitters and Breakout Pitchers insert sets, half of the Team MVPs insert set, more than half each of the Elite Series, Elite Dominators, Donruss Signatures, and box topper sets, and less than half of the Game Gear insert set, plus plenty of parallels and extra Rated Rookies.

But you’re not going to get perfect collation, even inside a sealed case where collation shouldn’t be a problem.  I took a chance on a team break of a case of 2014 Donruss (done by Brent Williams) knowing that it wasn’t spectacular but expecting a minimum of duplicates of the more limited inserts.  With four Mets each on the autograph and memorabilia checklists, at least there would be a few interesting cards to look forward to.  What I wasn’t expecting was for the collation to be another aspect of the older Donruss sets that was faithfully reproduced in 2014 Donruss.

The Donruss products of the late ’80s and early ’90s were produced in tremendous quantities, but building a set was no easy matter.  This was due to collation so spectacularly bad that you could pull dozens of one card before finding just one of another.  Getting the same card twice in the same pack was not all that unusual.  This problem was hardly unique to Donruss, but Donruss was a prime example of collation that could be infuriating at times.

These days, smaller print runs and more controlled packouts help to keep collation more reasonable, especially within a single sealed quantity like a box or a case.  After all, duplicates in small amounts of a product are largely worthless to most collectors and reduce the value in the product.  With ever-narrowing profit margins, any cheap way to increase value is worthwhile.  So what happened with 2014 Donruss?

The results of this case break were not pretty.  Of the 32 autographs, only 23 were different (one appeared three times).  The Game Gear inserts weren’t much better: 16 different out of 21 base versions.  11 of the 16 box toppers were different with one triplicate among them.  Results for other limited inserts were similar.  By the time the break was halfway through, duplicates had already appeared in all of the major insert sets with checklists 50% or more greater than the number of cards that would be found in a case.

For the Mets, the results were mixed.  The Hall Worthy and The Rookies inserts delivered two each as expected.  The number of Breakout Pitchers inserts was two, as expected, but both were Dillon Gee.  No Elite Series or Elite Dominators inserts turned up, but only two of the 50 are Mets and only 35 (30 different) were in the case.  Only one of the four Mets Game Gear cards were in the case, as were two copies of the Andrew Brown autograph.  One of the two box toppers was a Met, which is reasonable for the checklist size (2 Mets out of 25 cards, 11 different of the 16 in the case).  No-No’s (What’s with that apostrophe, Panini?) massively overdelivered, 6 actual vs. 1.6 expected.  Diamond Kings also came out ahead (3 actual vs. 2.2 expected) while the expectation of 4.3 of each Rated Rookie was accurate for Wilmer Flores (5 in the case) and way off for Travis d’Arnaud (only 1 with bad surface damage in the entire case).  Base cards fell 13 to 15 of each, a bit under the 16+ that would be expected with good collation (each box should have more than 155 base cards, so this indicates bad box-level collation).  Three parallels rounded out the team lot, though none of them had print runs lower than 200.  Overall, it was a slight disappointment with some very significant over and under deliveries that should be extremely rare outliers in a properly managed packout.  Unfortunately, there is no indication of any care taken to manage this product’s packout.

And as for the big hits in the case, the only cards numbered to less than 99 were three Stat Line parallels and an Edwin Encarnacion patch card, with no autographs beyond the base Donruss Signatures cards.  That’s poor even for this product’s checklist, which isn’t that great to begin with.  On the plus side, this means that there will be some cases with multiple limited autographs.  There will also be some cases with no cards worth more than about $10.  For a $1,000 case, that’s just not acceptable.

The Verdict

File this one under “Missed Opportunity.”  The concept was a great one and parts of the execution were outstanding.  On the other hand, other parts ranged from puzzling to awful.  Why wasn’t there a Diamond King and Team MVP for every team (not to mention only 10 No-No’s [sic])?  Why were all of the photographs photoshopped to oblivion?  Where are the Jeurys Familia and Wilmer Flores autographs?  Who thought a 155-card base set made any sort of sense?  And how did the collation go so horribly wrong?  Panini clearly put a lot of effort into bringing together three decades of an iconic brand into one product, why did they stop short of taking the steps necessary to make it a success?

I just can’t recommend buying large quantities of this product to anyone.  A few packs or even a box may make sense for some fun nostalgia, but a case has nothing to satisfy anyone.  Set collectors will be out of luck unless they buy several cases.  Hit collectors won’t see any sort of return.  Team collectors won’t have much to chase with this tiny checklist.  And anyone who appreciates good photography will want to stay far away from this one.  2014 Donruss missed the mark and in the process delivered the modern equivalent of its 1991 predecessor.  This was not the product collectors wanted or the product collectors needed, just a mindless diversion until something better comes along.

Redemption Frustration

A Game of Cardboard Roulette

It’s what every collector hopes for. You open a pack and there’s a card that stands out from the rest. It isn’t like the others, so it must be something good. You pull it out and you’re hit with immediate disappointment when you see that the back looks like one of these:

You’ve hit a redemption card. Maybe it’s something good, maybe it’s junk. One thing’s for sure: you won’t be seeing the card for a while, if ever. Redemptions can help to get better cards into products, but they have become so prevalent in recent years that collectors have come to dread the prospect of dealing with yet another one. It seems like everyone has at least one outstanding redemption; some people have hundreds stuck in Pending limbo. If it’s a minor card you really want, it doesn’t hurt much to wait. But what do you do if you pull something like this?

Now you’re left with quite the conundrum. Do you redeem it and wait? Sell it now and let someone else deal with it? Will the price go down in the meantime or will the live card be worth more? Why do the card companies do this to us anyway? Let’s break down something we’ve been dealing with since the turn of the millennium but have yet to truly come to terms with.

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Product Spotlight: 2013 Bowman Sterling

Getting it right the second time around

To appreciate 2013 Bowman Sterling, you need to look back at 2012 Bowman Sterling.  Which I didn’t write a review for.  That means you’ll have to get through a quick 2012 review before we get to the good stuff.  Sorry.

2012 Bowman Sterling – Underachieving to the Max

If you can’t see the autographs, try tilting your screen

It was hard to get too excited about 2012 Bowman Sterling.  Now without any memorabilia cards, this was an autograph-only release with a token base set.  You would expect some high-quality autographs from a set like this.  And there they are in that image above.  Really.  Look closely.  Trust me, just look in those big dark spots.  See those slightly darker areas?  Those are autographs.  Yeah, these are some awful cards.  Terrible design, terrible colors, and players nobody really cared about by December of 2012.  Rookie Kirk Nieuwenhuis was the default Mets Rookie Card autograph in 2012, so he only had a few dozen more interesting autographs on the market at the time.  Gavin Cecchini and Kevin Plawecki had their first autographs the month before in 2012 Bowman Draft Picks & Prospects, but those were really the only ones anyone needed.  Unless there are some sweet refractor autos in here.

Taste the rainbow. Or maybe just something yellow.

Nope, just these.  The most common refractor varieties are shown above: base refractors numbered to 199, gold refractors numbered to 50, and black refractors numbered to 25.  So much color and variety.  Bonus points if you can tell the difference between base and black refractors without looking at the serial numbers.  With autographs like this, the Matt Harvey base Rookie Card may be the most interesting card in 2012 Bowman Sterling; Harvey’s only other Topps Rookie Cards are in 2012 Topps Update.

2013 Bowman Sterling – Second Attempt

And that brings us to 2013.  On the surface, nothing had changed from 2012.  Sterling was once again a premium autograph-only release with a token base set, essentially a chromium version of Bowman Inception with a bigger autograph checklist (plus the aforementioned base set).  One look at the cards though will tell you that this is nothing like 2012 Bowman Sterling.

Autographs

This time around, the autograph cards in Sterling are a more visually pleasing portrait orientation with large design elements and a signature background that makes the ink more visible.  It’s not going to compete with Bowman Chrome for the most desirable autograph card style, but it stands well enough on its own.  On top of that, the player selection is greatly improved from 2012.  The two Mets with autographs in Bowman Draft, Dominic Smith and Andrew Church, are here as expected, plus late-season replacement Rookie Card signer Zack Wheeler (on stickers unfortunately).  That alone is a modest upgrade over 2012, but then we add the first autographs from L.J. Mazzilli (son of Mets favorite Lee Mazzilli) and the first Mets autographs from Noah Syndergaard (the other big chip in the R.A. Dickey trade along with Travis d’Arnaud, who had his first Mets autographs in 2013 Bowman Inception).  Sterling has something unique to offer instead of being filled with leftovers.

And that’s not even considering the refractor autographs.  Black refractors are out, replaced with blue refractors at the 25 level.  Gold stayed the same, only at the fifth level down instead of the second.  Base refractor numbering went down from 199 to 150 and three new levels were added: green at 125, ruby at 99, and orange at 75.  The ruby coloring wasn’t quite as distinctive as it could have been, but this was a huge improvement over 2012.

Base Cards

And we haven’t even gotten to the base cards yet.  Inserted at a rate of just one per pack (compared to three per pack for autographs), these aren’t easy to get.  The three top names from the autograph list show up here: Wheeler, Syndergaard, and Smith.

As for the refractors, the base cards don’t get the three new refractor levels and go straight from base refractors (numbered to 199) to gold refractors (numbered to 50).  The lack of common variations and poor scanning results make these the weakest cards in Sterling.

Inserts

We’re not done yet.  Next up are a pair of The Duel inserts featuring Dominic Smith and Matt Harvey.  Topping it off is a sapphire reprint of David Wright’s Bowman rookie card.  Wright joins Jose Reyes as only the second Mets player in this set, which ran throughout all of the Bowman products in 2013.  All that’s left are the autograph inserts, most of which are on stickers and all of which are numbered to 50 or less.

The Verdict

As one of the final products of the year, Bowman Sterling is an easy one to overlook.  2012 Bowman Sterling faded into the background, but 2013 Bowman Sterling proved that Topps still had something new to offer after more than two dozen products.  Let’s hope that attitude carries over into 2014.